[Edward will be asleep by the time Oswald feels stable enough to come out of the bathroom. He has his magic back under control. It's tenuous; all that emotion is still there, repressed, swimming beneath the surface--but he's holding on enough that at least he doesn't feel like he's going to slip and accidentally kill Edward or anyone else.
But then, it seems it wasn't just his magic that made him a danger to Edward. All that work to keep it under control, to contain it....what good did it do? What good would it have done? Edward might've already died, almost died, because of him, anyway. Simply because of what he is. It's neither better or worse that he wouldn't have known; either way, the result is the same: Edward dead because of him.
Oswald sits heavily on the cot near Edward's bed, staring blankly out the window.
What was the point? Why did he try so hard to control himself, control his magic, when apparently just being near him was enough to put Edward in danger? Oswald turns his face away from the window and the night sky beyond, looking down at his hands. Even know, his magic stirs just under the surface, pressing against the barrier's he's erected, trying to get out. It makes him sick.]
[Edward is, mercifully, staying asleep. There's only so much that a stubborn mind can do, fighting against the body, and he was bound to lose eventually. Exhaustion always wins, in the end.
Though it is a restless sleep. Not for a bit, but eventually, Edward starts shifting a lot in his sleep.
Whether or not it's still night or already morning when Oswald notices that is another matter. Either way, it's not ideal. If Edward keeps shifting in his sleep like that, he might aggravate his injuries.]
[Oswald notices rather quickly. It's still night, and there's barely a sliver of moon left to see by, but he can clearly hear Edward shifting. Which certainly will not help his injuries any. So he'll pull himself to his feet and move across the room to reach out and rest a hand on Edward's shoulder, gently, and see if he can at least move him onto his back. Maybe that will help?]
[It won't be too difficult to move Edward. He's still shifting a lot, though, and... now that Oswald's closer, he might notice Edward's definitely sweating.
Edward? [now he's quite worried--and he's moving to the door so he can ring for some water and cloth to try and cool down whatever is making him sweat, returning to his side almost immediately. His brow is creased in a frown, reaching out to brush some hair away from his forehead. This is...not good. How can he get him to stop moving?]
[Edward's breathing is heavy, labored. And... it seems almost instinctive, the way that he immediately curls up as Oswald touches him to brush his hair away. Defensive.]
[that....does not bode well.] Edward. Edward, it's just a dream. [he's pressing his hand to the side of his neck, now, feeling for his pulse] You're safe.
[this is...not good. On many levels. Oswald swallows, hard, leaning down and shifting to wedge an arm under Edward's shoulders, pulling him close, cradling him against his chest. At least if he's holding him,maybe he can stop him from hurting himself more.] It's alright. It's alright, Edward, it's just a dream. It's not real.
[Edward goes a little still, at that. Even in his sleep, some things are just... instinct. But it seems to be helping. He's a little shaky, still, but his breathing is starting to even out again.
[Oswald breathes out a sigh of relief, then. He should...probably move, now that Edward's calmed down. He's going to just start to retract his arm from under his shoulders...]
[...well...okay??? Oswald blinks as Edward starts to follow him--and his mouth presses into a line. Okay. Well. He settles back down, then. Better to not make him move any more]
[Oswald is and always has been slow to wake up, much less get up. He is still very much asleep, curling a little more around Edward as he shifts closer]
[Edward's voice is enough to get him to start waking up, and he groans, slightly, face scrunching up a bit in what should be more than recognizable as Oswald very much not wanting to be awake and probably this close to falling back asleep]
no subject
But then, it seems it wasn't just his magic that made him a danger to Edward. All that work to keep it under control, to contain it....what good did it do? What good would it have done? Edward might've already died, almost died, because of him, anyway. Simply because of what he is. It's neither better or worse that he wouldn't have known; either way, the result is the same: Edward dead because of him.
Oswald sits heavily on the cot near Edward's bed, staring blankly out the window.
What was the point? Why did he try so hard to control himself, control his magic, when apparently just being near him was enough to put Edward in danger? Oswald turns his face away from the window and the night sky beyond, looking down at his hands. Even know, his magic stirs just under the surface, pressing against the barrier's he's erected, trying to get out. It makes him sick.]
no subject
Though it is a restless sleep. Not for a bit, but eventually, Edward starts shifting a lot in his sleep.
Whether or not it's still night or already morning when Oswald notices that is another matter. Either way, it's not ideal. If Edward keeps shifting in his sleep like that, he might aggravate his injuries.]
no subject
no subject
...A nightmare, maybe?]
no subject
no subject
no subject
no subject
Edward's trembling a little, too.]
no subject
no subject
He's calming down.]
no subject
It's alright....it's alright. [maybe if he repeats that for long enough, even he'll start to believe it]
no subject
no subject
no subject
No, don't go...]
no subject
no subject
Doesn't look like he gets to leave.]
no subject
no subject
...He shifts a little, closer to Oswald, without really. Realizing. What he's next to. Right now, all he knows is that it's very comfy???
You waking up yet, Oswald?]
no subject
no subject
[Edward suddenly realizes that it feels almost like
someone's next to him.
Which is about when he sleepily looks up and sees Oswald. Right there.]
A-Ah... Y-Your Highness--?
no subject
no subject
[how does he even
begin
with this]
1/
no subject
(three)]
no subject
(two) ]
(no subject)
(no subject)
end
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)